In his Index to Shade's poem Kinbote (in VN's novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a number of Sylvia O'Donnell's more or less glamorous marriages:
Odon, pseudonym of Donald O'Donnell, b .1915, world-famous actor and Zemblan patriot; learns from K. about secret passage but has to leave for theater, 130; drives K. from theater to foot of Mt. Mandevil, 149; meets K. near sea cave and escapes with him in motorboat, ibid.; directs cinema picture in Paris, 171; stays with Lavender in Lex, 408; ought not to marry that blubber-lipped cinemactress, with untidy hair, 691; see also O'Donnell, Sylvia.
O'Donnell, Sylvia, nee O'Connell, born 1895? 1890?, the much-traveled, much-married mother of Odon (q. v.), 149, 691; after marrying and divorcing college president Leopold O'Donnell in 1915, father of Odon, she married Peter Gusev, first Duke of Rahl, and graced Zembla till about 1925 when she married an Oriental prince met in Chamonix; after a number of other more or less glamorous marriages, she was in the act of divorcing Lionel Lavender, cousin of Joseph, when last seen in this Index.
In a letter of Oct. 10, 1921, to Sylvia Beach (an American book-seller and publisher who is known for her Paris bookstore, Shakespeare and Company, where she published James Joyce's Ulysses, 1922) Bernard Shaw says "you are probably a young barbarian beglamoured by the excitements and enthusiasms that art stirs up in passionate material:"
Dear Madam,
I have read fragments of Ulysses in the serial form. It is a revolting record of a disgusting phase of civilization, but it is a truthful one; and I should like to put a cordon around Dublin, round up every male person in it between the ages of 15 and 30; force them to read all the foul mouthed, foul minded derision and obscenity. To you possibly it may appeal as art; you are probably (you see I don’t know you) a young barbarian beglamoured by the excitements and enthusiasms that art stirs up in passionate material; but to me it is all hideously real: I have walked those streets and know those shops and have heard and taken part in those conversations. I escaped from them to England at the age of twenty; and forty years later have learnt from the books of Mr. Joyce that Dublin is still what it was, and young men are still drivelling in slack-jawed blackguardism just as they were in 1870. It is, however, some consolation to find that at last somebody has felt deeply enough about it to face the horror of writing it all down and using his literary genius to force people to face it. In Ireland they try to make a cat cleanly by rubbing its face in its own filth. Mr. Joyce has tried the same treatment on the human subject. I hope it may prove successful.
The main character in Joyce's Ulysses, Leopold Bloom is a namesake of college president Leopold O'Donnell (the father of Odon and his half-brother Nodo):
Nodo, Odon's half-brother, b .1916, son of Leopold O'Donnell and of a Zemblan boy impersonator; a cardsharp and despicable traitor, 171. (Index)
"Passionate material" mentioned by Bernard Shaw in his letter to Sylvia Beach brings to mind "all this marvelous material" that Kinbote offered Shade:
When in the course of an evening stroll in May or June, 1959, I offered Shade all this marvelous material, he looked at me quizzically and said: "That's all very well, Charles. But there are just two questions. How can you know that all this intimate stuff about your rather appalling king is true? And if true, how can one hope to print such personal things about people who, presumably, are still alive?"
"My dear John," I replied gently and urgently, "do not worry about trifles. Once transmuted by you into poetry, the stuff will be true, and the people will come alive. A poet's purified truth can cause no pain, no offense. True art is above false honor."
"Sure, sure," said Shade. "One can harness words like performing fleas and make them drive other fleas. Oh, sure."
"And moreover," I continued as we walked down the road right into a vast sunset, "as soon as your poem is ready, as soon as the glory of Zembla merges with the glory of your verse, I intend to divulge to you an ultimate truth, an extraordinary secret, that will put your mind completely at rest." (note to Lines 433-434)