Vladimir Nabokov

distinguished Zemblan scholar & Shade's own case in Pale Fire

By Alexey Sklyarenko, 29 April, 2023

In his Foreword and Commentary to Shade's poem Kinbote (in VN’s novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a distinguished Zemblan scholar Oscar Nattochdag:

 

Alas, my peace of mind was soon to be shattered. The thick venom of envy began squirting at me as soon as academic suburbia realized that John Shade valued my society above that of all other people. Your snicker, my dear Mrs. C., did not escape our notice as I was helping the tired old poet to find his galoshes after that dreary get-together party at your house. One day I happened to enter the English Literature office in quest of a magazine with the picture of the Royal Palace in Onhava, which I wanted my friend to see, when I overheard a young instructor in a green velvet jacket, whom I shall mercifully call Gerald Emerald, carelessly saying in answer to something the secretary had asked: "I guess Mr. Shade has already left with the Great Beaver." Of course I am quite tall, and my brown beard is of a rather rich tint and texture; the silly cognomen evidently applied to me, but was not worth noticing, and after calmly taking the magazine from a pamphlet-cluttered table, I contented myself on my way out with pulling Gerald Emerald's bow-tie loose with a deft jerk of my fingers as I passed by him. There was also the morning when Dr. Nattochdag, head of the department to which I was attached, begged me in a formal voice to be seated, then closed the door, and having regained, with a downcast frown, his swivel chair, urged me "to be more careful." In what sense, careful? A boy had complained to his adviser. Complained of what, good Lord? That I had criticized a literature course he attended ("a ridiculous survey of ridiculous works, conducted by a ridiculous mediocrity"). Laughing in sheer relief, I embraced my good Netochka, telling him I would never be naughty again. I take this opportunity to salute him. He always behaved with such exquisite courtesy toward me that I sometimes wondered if he did not suspect what Shade suspected, and what only three people (two trustees and the president of the college) definitely knew. (Foreword)

 

Presumably, permission from Prof. Blue was obtained but even so the plunging of a real person, no matter how sportive and willing, into an invented milieu where he is made to perform in accordance with the invention, strikes one as a singularly tasteless device, especially since other real-life characters, except members of the family, of course, are pseudonymized in the poem. 

This name, no doubt, is most tempting. The star over the blue eminently suits an astronomer though actually neither his first nor second name bears any relation to the celestial vault: the first was given him in memory of his grandfather, a Russian starover (accented, incidentally, on the ultima), that is, Old Believer (member of a schismatic sect), named Sinyavin, from siniy, Russ. "blue." This Sinyavin migrated from Saratov to Seattle and begot a son who eventually changed his name to Blue and married Stella Lazurchik, an Americanized Kashube. So it goes. Honest Starover Blue will probably be surprised by the epithet bestowed upon him by a jesting Shade. The writer feels moved to pay here a small tribute to the amiable old freak, adored by everybody on the campus and nicknamed by the students Colonel Starbottle, evidently because of his exceptionally convivial habits. After all, there were other great men in our poet's entourage - for example, that distinguished Zemblan scholar Oscar Nattochdag. (note to Line 627: The great Starover Blue)

 

Natt och dag means in Swedish "night and day." Night and Day is a poem by R. L. Stevenson. "That distinguished Zemblan scholar" brings to mind R. L. Stevenson's fable The Distinguished Stranger:

 

ONCE upon a time there came to this earth a visitor from a neighbouring planet. And he was met at the place of his descent by a great philosopher, who was to show him everything.

First of all they came through a wood, and the stranger looked upon the trees. “Whom have we here?” said he.

“These are only vegetables,” said the philosopher. “They are alive, but not at all interesting.”

“I don’t know about that,” said the stranger. “They seem to have very good manners. Do they never speak?”

“They lack the gift,” said the philosopher.

“Yet I think I hear them sing,” said the other.

“That is only the wind among the leaves,” said the philosopher. “I will explain to you the theory of winds: it is very interesting.”

“Well,” said the stranger, “I wish I knew what they are thinking.”

“They cannot think,” said the philosopher.

“I don’t know about that,” returned the stranger: and then, laying his hand upon a trunk: “I like these people,” said he.

“They are not people at all,” said the philosopher. “Come along.”

Next they came through a meadow where there were cows.

“These are very dirty people,” said the stranger.

“They are not people at all,” said the philosopher; and he explained what a cow is in scientific words which I have forgotten.

“That is all one to me,” said the stranger. “But why do they never look up?”

“Because they are graminivorous,” said the philosopher; “and to live upon grass, which is not highly nutritious, requires so close an attention to business that they have no time to think, or speak, or look at the scenery, or keep themselves clean.”

“Well,” said the stranger, “that is one way to live, no doubt. But I prefer the people with the green heads.”

Next they came into a city, and the streets were full of men and women.

“These are very odd people,” said the stranger.

“They are the people of the greatest nation in the world,” said the philosopher.

“Are they indeed?” said the stranger. “They scarcely look so.”

 

The stranger calls trees "the people with the green heads." Oscar Nattochdag is the head of the department to which Kinbote is attached. In De Profundis (1897) Oscar Wilde says:

 

I remember when I was at Oxford saying to one of my friends as we were strolling round Magdalen’s narrow bird-haunted walks one morning in the year before I took my degree, that I wanted to eat of the fruit of all the trees in the garden of the world, and that I was going out into the world with that passion in my soul. And so, indeed, I went out, and so I lived. My only mistake was that I confined myself so exclusively to the trees of what seemed to me the sun-lit side of the garden, and shunned the other side for its shadow and its gloom. Failure, disgrace, poverty, sorrow, despair, suffering, tears even, the broken words that come from lips in pain, remorse that makes one walk on thorns, conscience that condemns, self-abasement that punishes, the misery that puts ashes on its head, the anguish that chooses sack-cloth for its raiment and into its own drink puts gall:—all these were things of which I was afraid. And as I had determined to know nothing of them, I was forced to taste each of them in turn, to feed on them, to have for a season, indeed, no other food at all.

 

Wilde wrote De Profundis in the Reading Gaol. In The Ballad of Reading Gaol (1898) written after his release from prison Wilde repeats the phrase "night and day" three times:

 

He does not sit with silent men

Who watch him night and day;

Who watch him when he tries to weep,

And when he tries to pray;

Who watch him lest himself should rob

The prison of its prey. (I)

 

Or else he sat with those who watched

His anguish night and day;

Who watched him when he rose to weep,

And when he crouched to pray;

Who watched him lest himself should rob

Their scaffold of its prey. (III)

 

For they starve the little frightened child

Till it weeps both night and day:

And they scourge the weak, and flog the fool,

And gibe the old and gray,

And some grow mad, and all grow bad,

And none a word may say. (V)

 

R. L. Stevenson is the author of Strange Case of Dr Jekyll and Mr Hyde (1886). In his Cornell lecture on R. L. Stevenson VN quotes Stevenson's last words: "What's that? Do I look strange?" In a conversation at the Faculty Club a visiting German lecturer from Oxford twice repeats the word "strange:"

 

Pictures of the King had not infrequently appeared in America during the first months of the Zemblan Revolution. Every now and then some busybody on the campus with a retentive memory, or one of the clubwomen who were always after Shade and his eccentric friend, used to ask me with the inane meaningfulness adopted in such cases if anybody had told me how much I resembled that unfortunate monarch. I would counter with something on the lines of "all Chinese look alike" and change the subject. One day, however, in the lounge of the Faculty Club where I lolled surrounded by a number of my colleagues, I had to put up with a particularly embarrassing onset. A visiting German lecturer from Oxford kept exclaiming, aloud and under his breath, that the resemblance was "absolutely unheard of," and when I negligently observed that all bearded Zemblans resembled one another - and that, in fact, the name Zembla is a corruption not of the Russian zemlya, but of Semblerland, a land of reflections, of "resemblers" - my tormentor said: "Ah, yes, but King Charles wore no beard, and yet it is his very face! I had [he added] the honor of being seated within a few yards of the royal box at a Sport Festival in Onhava which I visited with my wife, who is Swedish, in 1956. We have a photograph of him at home, and her sister knew very well the mother of one of his pages, an interesting woman. Don't you see [almost tugging at Shade's lapel] the astounding similarity of features - of the upper part of the face, and the eyes, yes, the eyes, and the nose bridge?"

"Nay, sir" [said Shade, refolding a leg and slightly rolling in his armchair as wont to do when about to deliver a pronouncement] "there is no resemblance at all. I have seen the King in newsreels, and there is no resemblance. Resemblances are the shadows of differences. Different people see different similarities and similar differences."

Good Netochka, who had been looking singularly uncomfortable during this exchange, remarked in his gentle voice how sad it was to think that such a "sympathetic ruler" had probably perished in prison.

A professor of physics now joined in. He was a so-called Pink, who believed in what so-called Pinks believe in (Progressive Education, the Integrity of anyone spying for Russia, Fall-outs occasioned solely by US-made bombs, the existence in the near past of a McCarthy Era, Soviet achievements including Dr. Zhivago, and so forth): "Your regrets are groundless" [said he]. "That sorry ruler is known to have escaped disguised as a nun; but whatever happens, or has happened to him, cannot interest the Zemblan people. History has denounced him, and that is his epitaph."

Shade: "True, sir. In due time history will have denounced everybody. The King may be dead, or he may be as much alive as you and Kinbote, but let us respect facts. I have it from him [pointing to me] that the widely circulated stuff about the nun is a vulgar pro-Extremist fabrication. The Extremists and their friends invented a lot of nonsense to conceal their discomfiture; but the truth is that the King walked out of the palace, and crossed the mountains, and left the country, not in the black garb of a pale spinster but dressed as an athlete in scarlet wool."

"Strange, strange," said the German visitor, who by some quirk of alderwood ancestry had been alone to catch the eerie note that had throbbed by and was gone.

Shade [smiling and massaging my knee]: "Kings do not die - they only disappear, eh, Charles?"

"Who said that?" asked sharply, as if coming out of a trance, the ignorant, and always suspicious, Head of the English Department.

"Take my own case," continued my dear friend ignoring Mr. H. "I have been said to resemble at least four people: Samuel Johnson; the lovingly reconstructed ancestor of man in the Exton Museum; and two local characters, one being the slapdash disheveled hag who ladles out the mash in the Levin Hall cafeteria."

"The third in the witch row," I precised quaintly, and everybody laughed.

"I would rather say," remarked Mr. Pardon - American History - "that she looks like Judge Goldsworth" ("One of us," interposed Shade inclining his head), "especially when he is real mad at the whole world after a good dinner."

"I hear," hastily began Netochka, "that the Goldsworths are having a wonderful time -"

"What a pity I cannot prove my point," muttered the tenacious German visitor. "If only there was a picture here. Couldn't there be somewhere -"

"Sure," said young Emerald and left his seat.

Professor Pardon now spoke to me: "I was under the impression that you were born in Russia, and that your name was a kind of anagram of Botkin or Botkine?"

Kinbote: "You are confusing me with some refugee from Nova Zembla" [sarcastically stressing the "Nova'"].

"Didn't you tell me, Charles, that kinbote means regicide in your language?" asked my dear Shade.

"Yes, a king's destroyer," I said (longing to explain that a king who sinks his identity in the mirror of exile is in a sense just that).

Shade [addressing the German visitor]: "Professor Kinbote is the author of a remarkable book on surnames. I believe [to me] there exists an English translation?"

"Oxford, 1956," I replied.

"You do know Russian, though?" said Pardon. "I think I heard you, the other day, talking to - what's his name - oh, my goodness" [laboriously composing his lips].

Shade: "Sir, we all find it difficult to attack that name" [laughing].

Professor Hurley: "Think of the French word for 'tire': punoo."

Shade: "Why, Sir, I am afraid you have only punctured the difficulty" [laughing uproariously].

"Flatman," quipped I. "Yes," I went on, turning to Pardon, "I certainly do speak Russian. You see, it was the fashionable language par excellence, much more so than French, among the nobles of Zembla at least, and at its court. Today, of course, all this has changed. It is now the lower classes who are forcibly taught to speak Russian."

"Aren't we, too, trying to teach Russian in our schools?" said Pink.

In the meantime, at the other end of the room, young Emerald had been communing with the bookshelves. At this point he returned with the T-Z volume of an illustrated encyclopedia.

"Well, said he, "here he is, that king. But look, he is young and handsome" ("Oh, that won't do," wailed the German visitor). "Young, handsome, and wearing a fancy uniform," continued Emerald. "Quite the fancy pansy, in fact."

"And you," I said quietly, "are a foul-minded pup in a cheap green jacket."

"But what have I said?" the young instructor inquired of the company, spreading out his palms like a disciple in Leonardo's Last Supper.

"Now, now," said Shade. "I'm sure, Charles, our young friend never intended to insult your sovereign and namesake."

"He could not, even if he had wished," I observed placidly, turning it all into a joke.

Gerald Emerald extended his hand - which at the moment of writing still remains in that position. (note to Line 894)

 

Shade's words "Take my own case" brings to mind the title of R. L. Stevenson's novella. Professor Nattochdag's nickname, Netochka hints at Dostoevski's novel Netochka Nezvanov (1849). Dostoevski is the author of Dvoynik ("The Double," 1846). In R. L. Stevenson's novella Henry Jekyll calls Edward Hyde "my double:"

 

The pleasures which I made haste to seek in my disguise were, as I have said, undignified; I would scarce use a harder term. But in the hands of Edward Hyde, they soon began to turn towards the monstrous. When I would come back from these excursions, I was often plunged into a kind of wonder at my vicarious depravity. This familiar that I called out of my own soul, and sent forth alone to do his good pleasure, was a being inherently malign and villainous; his every act and thought centered on self; drinking pleasure with bestial avidity from any degree of torture to another; relentless like a man of stone, Henry Jekyll stood at times aghast before the acts of Edward Hyde; but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse; he woke again to his good qualities seemingly unimpaired; he would even make haste, where it was possible, to undo the evil done by Hyde. And thus his conscience slumbered.

Into the details of the infamy at which I thus connived (for even now I can scarce grant that I committed it) I have no design of entering I mean but to point out the warnings and the successive steps with, which my chastisement approached. I met with one accident which, as it brought on no consequence, I shall no more than mention. An act of cruelty to a child aroused against me the anger of a passer by, whom I recognised the other day in the person of your kinsman; the doctor and the child's family joined him; there were moments when I feared for my life; and at last, in order to pacify their too just resentment, Edward Hyde had to bring them to the door, and pay them in a cheque drawn in the name, of Henry Jekyll. But this danger was easily eliminated from the future, by opening an account at another bank in the name of Edward Hyde himself; and when, by sloping my own hand backward, I had supplied my double with a signature, I thought I sat beyond the reach of fate. (Chapter 10)


A kinbote is a type of compensation or payment made to the relatives of someone who has been killed.

 

Gerald Emerald brings to mind Colonel Geraldine, Prince Florizel's adjutant in R. L. Stevenson's short story collection The Suicide Club (1878).

 

The surname Pnin (that Professor Pardon cannot pronounce) comes from pen' (tree stump).

 

Kinbote's words "the third in the witch row" make one think of R. L. Stevenson's story (written in Scots) Thrawn Janet (1881). Its title character, an old woman whom local people believe to be a witch (and, to prove this, attempt to dunk her in a river), has a thrawn (twisted) neck. Hazel Shade (the poet's daughter) twisted words:

 

She had strange fears, strange fantasies, strange force

Of character - as when she spent three nights

Investigating certain sounds and lights

In an old barn. She twisted words: pot, top,

Spider, redips. And "powder" was "red wop."

She called you a didactic katydid.

She hardly ever smiled, and when she did,

It was a sign of pain. She'd criticize

Ferociously our projects, and with eyes

Expressionless sit on her tumbled bed

Spreading her swollen feet, scratching her head

With psoriatic fingernails, and moan,

Murmuring dreadful words in monotone. (ll. 344-356)

 

An old barn in which not long before her death Hazel Shade investigated certain sounds and lights brings to mind a drunken barn mentioned by R. L. Stevenson in his poem De Ligurra (btw., Ligurra is a spider genus of the jumping spider family, Salticidae):

 

YOU fear, Ligurra - above all, you long -

That I should smite you with a stinging song.

This dreadful honour you both fear and hope -

Both all in vain: you fall below my scope.

The Lybian lion tears the roaring bull,

He does not harm the midge along the pool.

 

Lo! if so close this stands in your regard,

From some blind tap fish forth a drunken barn,

Who shall with charcoal, on the privy wall,

Immortalise your name for once and all.

 

One wonders if "barn" is not a misprint and should not be "bard." It makes one think of the "fountain - mountain" misprint in Canto Three of Shade's poem and of the korona-vorona-korova series mentioned by Kinbote in his Commentary:

 

Translators of Shade's poem are bound to have trouble with the transformation, at one stroke, of "mountain" into "fountain:" it cannot be rendered in French or German, or Russian, or Zemblan; so the translator will have to put it into one of those footnotes that are the rogue's galleries of words. However! There exists to my knowledge one absolutely extraordinary, unbelievably elegant case, where not only two, but three words are involved. The story itself is trivial enough (and probably apocryphal). A newspaper account of a Russian tsar's coronation had, instead of korona (crown), the misprint vorona (crow), and when next day this apologetically "corrected," it got misprinted a second time as korova (cow). The artistic correlation between the crown-crow-cow series and the Russian korona-vorona-korova series is something that would have, I am sure, enraptured my poet. I have seen nothing like it on lexical playfields and the odds against the double coincidence defy computation. (note to Line 803)