Describing his novel Letters from Terra, Van Veen (the narrator and main character in VN’s novel Ada, 1969) mentions the three scientists one of whom had been kidnapped by a laundryman and transported to Tartary (a country that occupies on Demonia, aka Antiterra, Earth's twin planet on which Ada is set, the territory of the Soviet Russia):
Ada’s letters breathed, writhed, lived; Van’s Letters from Terra, ‘a philosophical novel,’ showed no sign of life whatsoever.
(I disagree, it’s a nice, nice little book! Ada’s note.)
He had written it involuntarily, so to speak, not caring a dry fig for literary fame. Neither did pseudonymity tickle him in reverse — as it did when he danced on his hands. Though ‘Van Veen’s vanity’ often cropped up in the drawing-room prattle among fan-wafting ladies, this time his long blue pride feathers remained folded. What, then, moved him to contrive a romance around a subject that had been worried to extinction in all kinds of ‘Star Rats,’ and ‘Space Aces’? We — whoever ‘we’ are — might define the compulsion as a pleasurable urge to express through verbal imagery a compendium of certain inexplicably correlated vagaries observed by him in mental patients, on and off, since his first year at Chose. Van had a passion for the insane as some have for arachnids or orchids.
There were good reasons to disregard the technological details involved in delineating intercommunication between Terra the Fair and our terrible Antiterra. His knowledge of physics, mechanicalism and that sort of stuff had remained limited to the scratch of a prep-school blackboard. He consoled himself with the thought that no censor in America or Great Britain would pass the slightest reference to ‘magnetic’ gewgaws. Quietly, he borrowed what his greatest forerunners (Counterstone, for example) had imagined in the way of a manned capsule’s propulsion, including the clever idea of an initial speed of a few thousand miles per hour increasing, under the influence of a Counterstonian type of intermediate environment between sibling galaxies, to several trillions of light-years per second, before dwindling harmlessly to a parachute’s indolent descent. Elaborating anew, in irrational fabrications, all that Cyraniana and ‘physics fiction’ would have been not only a bore but an absurdity, for nobody knew how far Terra, or other innumerable planets with cottages and cows, might be situated in outer or inner space: ‘inner,’ because why not assume their microcosmic presence in the golden globules ascending quick-quick in this flute of Moët or in the corpuscles of my, Van Veen’s —
(or my, Ada Veen’s)
— bloodstream, or in the pus of a Mr Nekto’s ripe boil newly lanced in Nektor or Neckton. Moreover, although reference works existed on library shelves in available, and redundant, profusion, no direct access could be obtained to the banned, or burned, books of the three cosmologists, Xertigny, Yates and Zotov (pen names), who had recklessly started the whole business half a century earlier, causing, and endorsing, panic, demency and execrable romanchiks. All three scientists had vanished now: X had committed suicide; Y had been kidnapped by a laundryman and transported to Tartary; and Z, a ruddy, white-whiskered old sport, was driving his Yakima jailers crazy by means of incomprehensible crepitations, ceaseless invention of invisible inks, chameleonizations, nerve signals, spirals of out-going lights and feats of ventriloquism that imitated pistol shots and sirens. (2.2)
Darkbloom (‘Notes to Ada’): Cyraniana: allusion to Cyrano de Bergerac’s Histoire comique des Etats de la Lune.
Nekto: Russ., quidam.
romanchik: Russ., novelette.
Kidnapped (1886) is a novel by R. L. Stevenson. In The Silverado Squatters (1883) R. L. Stevenson mentions Kong Sam Kee, the Chinese laundryman’s:
It is difficult for a European to imagine Calistoga, the whole place is so new, and of such an accidental pattern; the very name, I hear, was invented at a supper-party by the man who found the springs.
The railroad and the highway come up the valley about parallel to one another. The street of Calistoga joins the perpendicular to both – a wide street, with bright, clean, low houses, here and there a verandah over the sidewalk, here and there a horse-post, here and there lounging townsfolk. Other streets are marked out, and most likely named; for these towns in the New World begin with a firm resolve to grow larger, Washington and Broadway, and then First and Second, and so forth, being boldly plotted out as soon as the community indulges in a plan. But, in the meanwhile, all the life and most of the houses of Calistoga are concentrated upon that street between the railway station and the road. I never heard it called by any name, but I will hazard a guess that it is either Washington or Broadway. Here are the blacksmith’s, the chemist’s, the general merchant’s, and Kong Sam Kee, the Chinese laundryman’s; here, probably, is the office of the local paper (for the place has a paper – they all have papers); and here certainly is one of the hotels, Cheeseborough’s, whence the daring Foss, a man dear to legend, starts his horses for the Geysers. (Part One - In the Valley; Chapter I - Calistoga)
Kong Sam Kee brings to mind King Wing, Demon's wrestling master who taught Van to walk on his hands:
Two years earlier, when about to begin his first prison term at the fashionable and brutal boarding school, to which other Veens had gone before him (as far back as the days ‘when Washingtonias were Wellingtonias’), Van had resolved to study some striking stunt that would give him an immediate and brilliant ascendancy. Accordingly, after a conference with Demon, King Wing, the latter’s wrestling master, taught the strong lad to walk on his hands by means of a special play of the shoulder muscles, a trick that necessitated for its acquirement and improvement nothing short of a dislocation of the caryatics.
What pleasure (thus in the MS.). The pleasure of suddenly discovering the right knack of topsy turvy locomotion was rather like learning to man, after many a painful and ignominious fall, those delightful gliders called Magicarpets (or ‘jikkers’) that were given a boy on his twelfth birthday in the adventurous days before the Great Reaction — and then what a breathtaking long neural caress when one became airborne for the first time and managed to skim over a haystack, a tree, a burn, a barn, while Grandfather Dedalus Veen, running with upturned face, flourished a flag and fell into the horsepond. (1.13)
Describing his performance in variety shows as Mascodagama (when he dances on his hands), Van mentions the current ruler of the Golden Horde:
On February 5, 1887, an unsigned editorial in The Ranter (the usually so sarcastic and captious Chose weekly) described Mascodagama’s performance as ‘the most imaginative and singular stunt ever offered to a jaded music-hall public.’ It was repeated at the Rantariver Club several times, but nothing in the programme or in publicity notices beyond the definition ‘Foreign eccentric’ gave any indication either of the exact nature of the ‘stunt’ or of the performer’s identity. Rumors, carefully and cleverly circulated by Mascodagama’s friends, diverted speculations toward his being a mysterious visitor from beyond the Golden Curtain, particularly since at least half-a-dozen members of a large Good-will Circus Company that had come from Tartary just then (i.e., on the eve of the Crimean War) — three dancing girls, a sick old clown with his old speaking goat, and one of the dancers’ husbands, a make-up man (no doubt, a multiple agent) — had already defected between France and England, somewhere in the newly constructed ‘Chunnel.’ Mascodagama’s spectacular success in a theatrical club that habitually limited itself to Elizabethan plays, with queens and fairies played by pretty boys, made first of all a great impact on cartoonists. Deans, local politicians, national statesmen, and of course the current ruler of the Golden Horde were pictured as mascodagamas by topical humorists. A grotesque imitator (who was really Mascodagama himself in an oversophisticated parody of his own act!) was booed at Oxford (a women’s college nearby) by local rowdies. A shrewd reporter, who had heard him curse a crease in the stage carpet, commented in print on his ‘Yankee twang.’ Dear Mr ‘Vascodagama’ received an invitation to Windsor Castle from its owner, a bilateral descendant of Van’s own ancestors, but he declined it, suspecting (incorrectly, as it later transpired) the misprint to suggest that his incognito had been divulged by one of the special detectives at Chose — the same, perhaps, who had recently saved the psychiatrist P.O. Tyomkin from the dagger of Prince Potyomkin, a mixed-up kid from Sebastopol, Id. (1.30)
In Van's Letters from Terra the current ruler of the Golden Horde (also known on Demonia as the ruthless Sovietnamur Khanate) has a name, Khan Sosso (Soso is the Georgian counterpart of Iosif, Stalin's first name):
On Terra, Theresa had been a Roving Reporter for an American magazine, thus giving Van the opportunity to describe the sibling planet’s political aspect. This aspect gave him the least trouble, presenting as it did a mosaic of painstakingly collated notes from his own reports on the ‘transcendental delirium’ of his patients. Its acoustics were poor, proper names often came out garbled, a chaotic calendar messed up the order of events but, on the whole, the colored dots did form a geomantic picture of sorts. As earlier experimentators had conjectured, our annals lagged by about half a century behind Terra’s along the bridges of time, but overtook some of its underwater currents. At the moment of our sorry story, the king of Terra’s England, yet another George (there had been, apparently, at least half-a-dozen bearing that name before him) ruled, or had just ceased to rule, over an empire that was somewhat patchier (with alien blanks and blots between the British Islands and South Africa) than the solidly conglomerated one on our Antiterra. Western Europe presented a particularly glaring gap: ever since the eighteenth century, when a virtually bloodless revolution had dethroned the Capetians and repelled all invaders, Terra’s France flourished under a couple of emperors and a series of bourgeois presidents, of whom the present one, Doumercy, seemed considerably more lovable than Milord Goal, Governor of Lute! Eastward, instead of Khan Sosso and his ruthless Sovietnamur Khanate, a super Russia, dominating the Volga region and similar watersheds, was governed by a Sovereign Society of Solicitous Republics (or so it came through) which had superseded the Tsars, conquerors of Tartary and Trst. Last but not least, Athaulf the Future, a fair-haired giant in a natty uniform, the secret flame of many a British nobleman, honorary captain of the French police, and benevolent ally of Rus and Rome, was said to be in the act of transforming a gingerbread Germany into a great country of speedways, immaculate soldiers, brass bands and modernized barracks for misfits and their young.
No doubt much of that information, gleaned by our terrapists (as Van’s colleagues were dubbed), came in a botched form; but the strain of sweet happiness could be always distinguished as an all-pervading note. Now the purpose of the novel was to suggest that Terra cheated, that all was not paradise there, that perhaps in some ways human minds and human flesh underwent on that sibling planet worse torments than on our much maligned Demonia. In her first letters, before leaving Terra, Theresa had nothing but praise for its rulers — especially Russian and German rulers. In her later messages from space she confessed that she had exaggerated the bliss; had been, in fact, the instrument of ‘cosmic propaganda’ — a brave thing to admit, as agents on Terra might have yanked her back or destroyed her in flight had they managed to intercept her undissembling ondulas, now mostly going one way, our way, don’t ask Van by what method or principle. Unfortunately, not only mechanicalism, but also moralism, could hardly be said to constitute something in which he excelled, and what we have rendered here in a few leisurely phrases took him two hundred pages to develop and adorn. We must remember that he was only twenty; that his young proud soul was in a state of grievous disarray; that he had read too much and invented too little; and that the brilliant mirages, which had risen before him when he felt the first pangs of bookbirth on Cordula’s terrace, were now fading under the action of prudence, as did those wonders which medieval explorers back from Cathay were afraid to reveal to the Venetian priest or the Flemish philistine. (2.2)
In his poem Historical Associations R. L. Stevenson mentions the robber woods of Tartary:
DEAR Uncle Jim, this garden ground
That now you smoke your pipe around,
Has seen immortal actions done
And valiant battles lost and won.
Here we had best on tip-toe tread,
While I for safety march ahead,
For this is that enchanted ground
Where all who loiter slumber sound.
Here is the sea, here is the sand,
Here is simple Shepherd's Land,
Here are the fairy hollyhocks,
And there are Ali Baba's rocks.
But yonder, see! apart and high,
Frozen Siberia lies; where I,
With Robert Bruce and William Tell,
Was bound by an enchanter's spell.
There, then, awhile in chains we lay,
In wintry dungeons, far from day;
But ris'n at length, with might and main,
Our iron fetters burst in twain.
Then all the horns were blown in town;
And to the ramparts clanging down,
All the giants leaped to horse
And charged behind us through the gorse.
On we rode, the others and I,
Over the mountains blue, and by
The Silver River, the sounding sea
And the robber woods of Tartary.
A thousand miles we galloped fast,
And down the witches' lane we passed,
And rode amain, with brandished sword,
Up to the middle, through the ford.
Last we drew rein—a weary three—
Upon the lawn, in time for tea,
And from our steeds alighted down
Before the gates of Babylon.
The gates of Babylon bring to mind Professor Nabonidus of Babylon College, Nebraska, mentioned by Ada in one of marginal notes:
Ada, doing her feminine best to restrain and divert her sobs by transforming them into emotional exclamations, pointed out some accursed insect that had settled on an aspen trunk.
(Accursed? Accursed? It was the newly described, fantastically rare vanessian, Nymphalis danaus Nab., orange-brown, with black-and-white foretips, mimicking, as its discoverer Professor Nabonidus of Babylon College, Nebraska, realized, not the Monarch butterfly directly, but the Monarch through the Viceroy, one of the Monarch’s best known imitators. In Ada’s angry hand.)
‘Tomorrow you’ll come here with your green net,’ said Van bitterly, ‘my butterfly.’ (1.25)
One is also reminded of the three Babylonian willows that grow on Van's and Ada's little Caliph island:
On that secret islet (forbidden to Sunday couples — it belonged to the Veens, and a notice-board calmly proclaimed that ‘trespassers might get shot by sportsmen from Ardis Hall,’ Dan’s wording) the vegetation consisted of three Babylonian willows, a fringe of alder, many grasses, cattails, sweet-flags, and a few purple-lipped twayblades, over which Ada crooned as she did over puppies or kittens.
Under the shelter of those neurotic willows Van pursued his survey.
Her shoulders were intolerably graceful: I would never permit my wife to wear strapless gowns with such shoulders, but how could she be my wife? Renny says to Nell in the English version of Monparnasse’s rather comic tale: ‘The infamous shadow of our unnatural affair will follow us into the low depths of the Inferno which our Father who is in the sky shows to us with his superb digit.’ For some odd reason the worse translations are not from the Chinese, but from plain French.
Her nipples, now pert and red, were encircled by fine black hairs which would soon go, too, being, she said, unschicklich. Where had she picked up, he wondered, that hideous word? Her breasts were pretty, pale and plump, but somehow he had preferred the little soft swellings of the earlier girl with their formless dull buds.
He recognized the familiar, individual, beautiful intake of her flat young abdomen, its wonderful ‘play,’ the frank and eager expression of the oblique muscles and the ‘smile’ of her navel — to borrow from the vocabulary of the belly dancer’s art.
One day he brought his shaving kit along and helped her to get rid of all three patches of body hair:
‘Now I’m Scheher,’ he said, ‘and you are his Ada, and that’s your green prayer carpet.’ (1.35)
Darkbloom (‘Notes to Ada’): unschicklich: Germ., improper (understood as 'not chic' by Ada).
The title of Mlle Larivière's novel (Monparnasse’s rather comic tale), The Accursed Children, makes one think of "some accursed insect" mentioned by Van. Scheher and his Ada hint at Scheherazade (the story-teller in A Thousand and One Nights). R. L. Stevenson is the author of New Arabian Nights (1882). One of the reviewers of Van's novel, the poet Max Mispel discerned in Letters from Terra the influence of Osberg (Spanish writer of pretentious fairy tales and mystico-allegoric anecdotes, highly esteemed by short-shift thesialists) as well as that of an obscene ancient Arab, expounder of anagrammatic dreams, Ben Sirine:
The only other compliment was paid to poor Voltemand in a little Manhattan magazine (The Village Eyebrow) by the poet Max Mispel (another botanical name — ‘medlar’ in English), member of the German Department at Goluba University. Herr Mispel, who liked to air his authors, discerned in Letters from Terra the influence of Osberg (Spanish writer of pretentious fairy tales and mystico-allegoric anecdotes, highly esteemed by short-shift thesialists) as well as that of an obscene ancient Arab, expounder of anagrammatic dreams, Ben Sirine, thus transliterated by Captain de Roux, according to Burton in his adaptation of Nefzawi’s treatise on the best method of mating with obese or hunchbacked females (The Perfumed Garden, Panther edition, p.187, a copy given to ninety-three-year-old Baron Van Veen by his ribald physician Professor Lagosse). His critique ended as follows: ‘If Mr Voltemand (or Voltimand or Mandalatov) is a psychiatrist, as I think he might be, then I pity his patients, while admiring his talent.’ (2.2)
On Demonia VN's Lolita (1955) is known as The Gitanilla, a novel by the Spanish writer Osberg (anagram of Borges). R. L. Stevenson was one of Borges's most revered gods.