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Re: John Shade as Japanese Fish
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Mathew, I would add that these allusions all suggest Nabokov's enduring
theme of "genius" - only the few, the select, the gifted, the very best
make it.
On Mon, Apr 30, 2018 at 11:18 AM, Roth, Matthew <mroth@messiah.edu> wrote:
> Near the end of Kinbote’s note to line 691 (“the attack”), he pictures JS
> “squirming up the college hall stairs as a Japanese fish up a cataract”
> (250). Kinbote seems to think we will understand the image, and indeed it
> turns out that the carp ascending a waterfall is a common image in Japanese
> art. There is even a story to go with the image, as told here by M. McLean
> from his 1889 book, *Echoes of Japan*:
>
>
>
> The Carp Ascending The Waterfall.
>
> It is a common sight to see, on Japanese works of art, and in
> picture-books, a carp trying to swim against a strong current or waterfall.
> This allegorical picture has a very interesting history, and is derived
> from a Chinese story. In some part of China there is a strong current,
> called Rio-mon, or Dragon's Gate. This stream is looked upon as sacred; so
> that, if any fish succeeds in scaling it, it becomes a dragon. The passage
> is very difficult, it being rocky and steep, and every fish except the carp
> fails in the attempt.
>
>
>
> Other versions make clear that only one of a thousand carp ascends to the
> top and is transformed. The others remain mere fish in the pool below. I
> see at least three connections to PF in this story. First, it is a story of
> animal metamorphosis—a theme associated with Hazel (wood duck, trying on
> furs, Vanessa). It is also a story of the passage into
> immortality—certainly a theme of the novel, played out in myriad ways.
> Thirdly, we might see a transmuted version of the Gradus ad Parnassum, as
> Shade ascends the academic stairs. Did he make it to the top? I think he
> did. Perhaps others can do more with the image/allusion.
>
>
>
> Cheers,
>
> Matt Roth
>
>
>
> PS. I have attached a representative image of the koi’s ascent
>
>
> .CS UTF-8
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theme of "genius" - only the few, the select, the gifted, the very best
make it.
On Mon, Apr 30, 2018 at 11:18 AM, Roth, Matthew <mroth@messiah.edu> wrote:
> Near the end of Kinbote’s note to line 691 (“the attack”), he pictures JS
> “squirming up the college hall stairs as a Japanese fish up a cataract”
> (250). Kinbote seems to think we will understand the image, and indeed it
> turns out that the carp ascending a waterfall is a common image in Japanese
> art. There is even a story to go with the image, as told here by M. McLean
> from his 1889 book, *Echoes of Japan*:
>
>
>
> The Carp Ascending The Waterfall.
>
> It is a common sight to see, on Japanese works of art, and in
> picture-books, a carp trying to swim against a strong current or waterfall.
> This allegorical picture has a very interesting history, and is derived
> from a Chinese story. In some part of China there is a strong current,
> called Rio-mon, or Dragon's Gate. This stream is looked upon as sacred; so
> that, if any fish succeeds in scaling it, it becomes a dragon. The passage
> is very difficult, it being rocky and steep, and every fish except the carp
> fails in the attempt.
>
>
>
> Other versions make clear that only one of a thousand carp ascends to the
> top and is transformed. The others remain mere fish in the pool below. I
> see at least three connections to PF in this story. First, it is a story of
> animal metamorphosis—a theme associated with Hazel (wood duck, trying on
> furs, Vanessa). It is also a story of the passage into
> immortality—certainly a theme of the novel, played out in myriad ways.
> Thirdly, we might see a transmuted version of the Gradus ad Parnassum, as
> Shade ascends the academic stairs. Did he make it to the top? I think he
> did. Perhaps others can do more with the image/allusion.
>
>
>
> Cheers,
>
> Matt Roth
>
>
>
> PS. I have attached a representative image of the koi’s ascent
>
>
> .CS UTF-8
> Archive Search:
> <http://www.google.com/advanced_search?q=site:listserv.ucsb.edu&hl=en%0A>
> <http://www.google.com/advanced_search?q=site:listserv.ucsb.edu&hl=en%0A>
> ___
> L-Soft <https://listserv.ucsb.edu/lsv-cgi-bin/wa?A0=NABOKV-L>
> Contact
> <dana.dragunoiu@gmail.com,nabokv-l@utk.edu,shvabrin@humnet.ucla.edu>
> the Editors <nabokv-l@utk.edu,nabokv-l@holycross.edu>
> <http://www.nabokovonline.com>
> <http://www.libraries.psu.edu/nabokov/zembla.htm>Policies
> <http://web.utk.edu/%7Esblackwe/EDNote.htm>
> ___
> Options <http://listserv.ucsb.edu/lsv-cgi-bin/wa?SUBED1=NABOKV-L> Nabokov
> Studies <https://muse.jhu.edu/journal/257> (Journal)
> <http://web.utk.edu/%7Esblackwe/EDNote.htm>NOJ
> <http://www.nabokovonline.com>
> ___
> Zembla <http://www.libraries.psu.edu/nabokov/zembla.htm>
>
> <http://listserv.ucsb.edu/lsv-cgi-bin/wa?SUBED1=NABOKV-L> Chercheurs
> Enchantés (French VN Society)
> <http://www.vladimir-nabokov.org/association/chercheurs-enchantes/73>
> AdaOnline <http://www.ada.auckland.ac.nz/> NSJ
> <http://vnjapan.org/main/ada/index.html>Ada Annotations
> <http://vnjapan.org/main/ada/index.html> VN Bibliography Blog
> <http://vnbiblio.com/>
>
> All private editorial communications are read by both co-editors.
>
Search archive with Google:
http://www.google.com/advanced_search?q=site:listserv.ucsb.edu&HL=en
Contact the Editors: mailto:nabokv-l@utk.edu,dana.dragunoiu@gmail.com,shvabrin@humnet.ucla.edu
Zembla: http://www.libraries.psu.edu/nabokov/zembla.htm
Nabokov Studies: https://muse.jhu.edu/journal/257
Chercheurs Enchantes: http://www.vladimir-nabokov.org/association/chercheurs-enchantes/73
Nabokv-L policies: http://web.utk.edu/~sblackwe/EDNote.htm
Nabokov Online Journal:" http://www.nabokovonline.com
AdaOnline: "http://www.ada.auckland.ac.nz/
The Nabokov Society of Japan's Annotations to Ada: http://vnjapan.org/main/ada/index.html
The VN Bibliography Blog: http://vnbiblio.com/
Search the archive with L-Soft: https://listserv.ucsb.edu/lsv-cgi-bin/wa?A0=NABOKV-L
Manage subscription options :http://listserv.ucsb.edu/lsv-cgi-bin/wa?SUBED1=NABOKV-L