Vladimir Nabokov

NABOKV-L post 0010155, Thu, 29 Jul 2004 19:13:36 -0700

Subject
Re: TT-6 green & death (fwd)
Date
Body
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Date: Thursday, July 29, 2004 9:02 PM +0100
From: Nick Grundy <nick@bsad.org>
To: Vladimir Nabokov Forum <NABOKV-L@LISTSERV.UCSB.EDU>
Subject: Re: TT-6 green & death

Mary McCarthy noted that, in Pale Fire, “green appears to be the color of
death, and red the color of life[?]Green is pre-eminently the color of
seeming, too” - don't know if that helps here. I'd say in Pnin, also, it's
more associated with pain and loss than death per se - the poems Liza
writes about “the lovers she wanted to have” are “green and mauve”; Pnin’s
life which he’d give “readily” to Liza even after her infidelity is
described as a bouquet of flowers, or rather as “wet stems cut [with] a bit
of fern” in rain which makes “grey and green mirrors of Easter day”, for
instance.

Nick.

At 17:35 29/07/2004, DBJ wrote:

------------------


Throughout VNs'oeuvre green,
emerald, and death are linked with death. This NOT to say "green" is

always

linked with death but sometimes is. Note the subsequent "reptile-green
ink"--nasty but not lethal.



D. Barton Johnson
NABOKV-L

---------------------------
From Akiko


Thank you Don, for clarifying the link between green and death. The
"reptile-green ink" has no direct link to death here, but it might have in
Ch. 14.
HP volunteers to carry Armande's skis that are "weird-looking, reptile-green
things made of metal and fiberglass" (51). It is also another code between
the
hooker Giulia and Armande, and green and death, isn't it?

Akiko



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Akiko,
Quite right. I hadn't noticed the skis. Could you be more specific
about
the Giulia and green? Thanks, Don


D. Barton Johnson
NABOKV-L



--
"Publishing a volume of verse is like dropping a rose-petal down the Grand
Canyon and waiting for the echo." - Don Marquis

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D. Barton Johnson
NABOKV-L