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_New Book:_ Nabokov and the Art of Painting_ by Gerard de Vries &
D. Barton Johnson, with an essay by Liana Ashenden
D. Barton Johnson, with an essay by Liana Ashenden
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Download Table of Contents Nabokov and the Art of Painting
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isbn 90 5356 790 9
16 x 24 cm, 224 pages,
paperback, 2005
English
forthcoming
€ 49,50
Art History, History of Literature
Gerard J.M. de Vries, D. Barton Johnson
Nabokov and the Art of Painting
Vladimir Nabokov was one of the greatest novelists of the previous century and his mastery of English and Russian prose is unequalled. Nabokov had originally trained to become a painter and shared Marc Chagall’s tutor in Paris. In Nabokov and the Art of Painting the authors demonstrate how the art of painting is interwoven with the narratives. His novels, which refer to over a hundred paintings, show a brilliance of colours and light and dark are in a permanent dialogue with each other.
Following the introduction describing the many associations Nabokov made between the literary and visual arts, several of his novels are discussed in detail: Laughter in the Dark, The Real Life of Sebastian Knight, Pnin, Lolita, Pale Fire and Ada. Separate chapters are devoted to Leonardo da Vinci and Hieronymus Bosch, as Nabokov had a special appreciation for both painters. The authors show how the pictorial gave an extra depth to the great themes of love and loss in Nabokov’s work.
Gerard de Vries is the leading Dutch Nabokov specialist. His writings on Nabokov have appeared in Russian Literature Triquaterly, Nabokov Studies, Revue de Littérature Comparée and The Nabokovian.
D.Barton Johnson is Emeritus Professor of Russian, University of California at Santa Barbara. His publications include Worlds in Regression.: Some Novels of Vladimir Nabokov (1985) and many articles on Nabokov.
Liana Ashenden, University of Cambridge, UK, wrote her MA dissertation on "Mimicry, Mimesis and Desire in Nabokov’s Ada" with Brian Boyd as supervisor. She has published "Ada’s Erotic Entomology" in "Nabokov Studies".
EDNOTE. As I understand it, American distribution will be handled by the University of Chicago Press. Although now available in Europe, the volume will be available in the U.S. only in the spring.