Subject
Table of Contents for forthcoming (2006) Russian volume "EMPIRE
N: Nabokov and his Heirs"
N: Nabokov and his Heirs"
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Date
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EMPIRE N
Nabokov and Heirs
CONTENTS
Yuri Leving, Evgeny Soshkin. Nabokov on a Securities Market
I. Sociology of success / INTENTIONS / literary behavior
Maria Malikova (Russian Academy of Sciences, St. Petersburg). The Gift and Success of Vladimir Nabokov
Boris Maslov (University of California, Berkeley). Dilettantism as a Historical-Cultural Phenomenon (Notes toward an Aesthetic Ideology of Vladimir Nabokov’s The Gift)
Stephen Blackwell (University of Tennessee). Nabokov the Publisher
Irina Borisova (St. Petersburg). Nabokov’s Ultima Thule, or “The details of his business—especially those connected with the handling of old somber pictures…”
II. Industry / RECEPTIONS / mass culture
Yuri Leving (The George Washington University). Plaster, Marble, Canon: The Vindication of Nabokov
Suellen Stringer-Hye (Vanderbilt University). Vladimir Nabokov and American Popular Culture
Ekaterina Vassileva-Ostrovsky (Cologne University). Lolita’s Mythology: Nabokov’s Heroine in Contemporary Art and Mass Culture
Iuichi Isahaya (University Doshisha, Kyoto). Nabokov and Nabokov Studies: The Nineties
Ekaterina Rogatchevsky (British Library, London). Virtual Nabokov (In Internet and Around)
Viacheslav Desyatov (Altai State University). Russian Postmodernism: Half a Century with Nabokov
Yuri Leving (The George Washington University). “Nabokov-7”: Russian Postmodernism in Search of National Identity
Oleg Lekmanov (Moscow State University). Nabokov in Modern Russia: The History of Assimilation
III. Nabokov the reader / REFLECTIONS / Nabokov the spectator
Savely Senderovich, Yelena Shwartz (Cornell University). The Juice of Three Oranges: Nabokov and St. Petersburg Theatrical Avant-Garde
Lada Panova (Russian Academy of Sciences, Moscow). Vladimir Sirin and Russian Egypt
Alexander Dolinin (University of Wisconsin-Madison / St. Petersburg). On a Certain Parody by Nabokov
Nadezhda Grigoreva (Konstanz / Moscow). The Avant-Garde in Despair
Donald Barton Johnson (University of California, Santa Barbara). Forbidden Masterpieces in Nabokov’s Ada
Rashit Yangirov (Moscow). “The Sense of Film”: Notes on the Cinematic Context in the Literature of the Russian Emigration in the 1920-1930s
IV. Challenge to a reader / CODES / Contact by return
Alexander Zholkovsky (University of Southern California, Los Angeles). Prank? Joke? Problem?
Feodor Dvyniatin (St. Petersburg). Nabokov, Modernism, Postmodernism, and Mimesis
Masha Levina-Parker (Sorbonne, Paris). Repetition. Répétition. Rehearsal? On a Certain Narrative Strategy in Nabokov’s and Bely’s Prose
Evgeny Soshkin (Jerusalem). Hitchcock’s Double. About Nabokov’s Detective Strategies
Alexander Dolinin (University of Wisconsin-Madison / St. Petersburg). Signs and Symbols in Nabokov’s “Signs and Symbols”
Nabokov and Heirs
CONTENTS
Yuri Leving, Evgeny Soshkin. Nabokov on a Securities Market
I. Sociology of success / INTENTIONS / literary behavior
Maria Malikova (Russian Academy of Sciences, St. Petersburg). The Gift and Success of Vladimir Nabokov
Boris Maslov (University of California, Berkeley). Dilettantism as a Historical-Cultural Phenomenon (Notes toward an Aesthetic Ideology of Vladimir Nabokov’s The Gift)
Stephen Blackwell (University of Tennessee). Nabokov the Publisher
Irina Borisova (St. Petersburg). Nabokov’s Ultima Thule, or “The details of his business—especially those connected with the handling of old somber pictures…”
II. Industry / RECEPTIONS / mass culture
Yuri Leving (The George Washington University). Plaster, Marble, Canon: The Vindication of Nabokov
Suellen Stringer-Hye (Vanderbilt University). Vladimir Nabokov and American Popular Culture
Ekaterina Vassileva-Ostrovsky (Cologne University). Lolita’s Mythology: Nabokov’s Heroine in Contemporary Art and Mass Culture
Iuichi Isahaya (University Doshisha, Kyoto). Nabokov and Nabokov Studies: The Nineties
Ekaterina Rogatchevsky (British Library, London). Virtual Nabokov (In Internet and Around)
Viacheslav Desyatov (Altai State University). Russian Postmodernism: Half a Century with Nabokov
Yuri Leving (The George Washington University). “Nabokov-7”: Russian Postmodernism in Search of National Identity
Oleg Lekmanov (Moscow State University). Nabokov in Modern Russia: The History of Assimilation
III. Nabokov the reader / REFLECTIONS / Nabokov the spectator
Savely Senderovich, Yelena Shwartz (Cornell University). The Juice of Three Oranges: Nabokov and St. Petersburg Theatrical Avant-Garde
Lada Panova (Russian Academy of Sciences, Moscow). Vladimir Sirin and Russian Egypt
Alexander Dolinin (University of Wisconsin-Madison / St. Petersburg). On a Certain Parody by Nabokov
Nadezhda Grigoreva (Konstanz / Moscow). The Avant-Garde in Despair
Donald Barton Johnson (University of California, Santa Barbara). Forbidden Masterpieces in Nabokov’s Ada
Rashit Yangirov (Moscow). “The Sense of Film”: Notes on the Cinematic Context in the Literature of the Russian Emigration in the 1920-1930s
IV. Challenge to a reader / CODES / Contact by return
Alexander Zholkovsky (University of Southern California, Los Angeles). Prank? Joke? Problem?
Feodor Dvyniatin (St. Petersburg). Nabokov, Modernism, Postmodernism, and Mimesis
Masha Levina-Parker (Sorbonne, Paris). Repetition. Répétition. Rehearsal? On a Certain Narrative Strategy in Nabokov’s and Bely’s Prose
Evgeny Soshkin (Jerusalem). Hitchcock’s Double. About Nabokov’s Detective Strategies
Alexander Dolinin (University of Wisconsin-Madison / St. Petersburg). Signs and Symbols in Nabokov’s “Signs and Symbols”