Welcome to the official site of the International Vladimir Nabokov Society (IVNS). You can access most of the site as you wish, but to add to or edit material wiki-style, as we would love you to do, you will have to register to the site by following the protocol spelled out below.
Introducing a new feature: read classic materials from the archives of the print version of The Nabokovian. Selected by the site's editors, contents will be featured free of charge and will vary quarterly. Full access to all of the print and electronic issues of The Nabokovian are available on this site to members of the International Vladimir Nabokov Society (IVNS). To join, please go here.
Our third feature is "Colloquy on Browning's Door" from the 34th issue (1995) of The Nabokovian. Enjoy your reading!
I write to express my heartfelt gratitude to the three organizers of the Hidden Nabokov Conference that began this past Wednesday with a sparkling, brilliant plenary talk by Priscilla Meyer and ended with an achingly beautiful plenary talk by artist Shelley Jackson. Though the conference continues online on Wednesday, June 29, an expression of gratitude feels appropriate at this juncture.
06/07, 4:30 pm EST/New York
*registration Zoom link below*
Lisa Ryoko Wakamiya
RE-VISIONING LOLITA
International Vladimir Nabokov Conference
Vladimir Nabokov : writing nature / écrire la nature
Dear All,
my book about Nabokov and Germany - "Vladimir Nabokovs Eigenwelt. Deutsche Bezugspunkte einer russischen Künstlerexistenz" - was published on 16.05.2022 by Vandenhoeck & Ruprecht.
https://www.vandenhoeck-ruprecht-verlage.com/detail/index/sArticle/57629
I hope, it will find interest among Nabokov admirers who speak/read (in) German.
Kind regards,
Andrey Kotin
Dear Nabokovians,
A new instalment of the Ada annotations, 2.7, including a fart joke you may have missed, is now available on the website here. That makes 50 chapters—oof! And simultaneously, 2.5 now becomes available on AdaOnline, a long and dense chapter with many illustrations.
Thanks once again to Steve Blackwell and Diana Makhaldiani for meticulous corrections and astute suggestions.
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