Creating convergences between the books friends select or send to
me, and Nabokov, lead me this time to Paul Valèry's "Eupalinos, or the
Architect," particularly when one considers that Valèry is
too important a poet and critic to be ignored by Nabokov.
Although VN made it easy for the non-francophones to spot Hugo,
Baudelaire, Rimbaud or Chateaubriand, I don't recall any particular mention to
PV in the VN-L offering clues to his work or name - so here
are various links that may serve to connect PV and "Pale Fire," a novel
where style and literary structure usually refer to an
architectural design*, words and bodily movements are closely associated by
the rythm of a sentence**, and inquiries about the Afterlife include
conversations with either Aristotle (Kinbote) or Socrates (Shade).***
Another connection is related to the importance given to details by
Eupalinos and its further developments into Nabokov's "divine
details."#
An amusing task for the week-end!
Jansy
..............................................................
* - and in
which Daedalus comes in twice as a
mythical architect and a designer of labirynths, and later
on, as one of ADA's ancestors.
Cf.PF "I recall seeing
him ...burning a whole stack ...But he saved those twelve cards...Perhaps, he
vaguely expected to replace certain passages in the Fair Copy with some of the
lovely rejections in his files, or, more probably, a sneaking fondness for this
or that vignette, suppressed out of architectonic considerations..."
"And if my private universe scans right/
So does the verse of galaxies divine/ Which I suspect is an iambic
line."
"True, in this canto he has
unburdened himself pretty thoroughly, and his picture of Hazel is quite clear
and complete; maybe a little too complete, architectonically, since the reader
cannot help feeling that it has been expanded and elaborated to the detriment of
certain other richer and rarer matters ousted by it.
"
(962) I am
not slave! Let be my critic slave.
I cannot be. And Shakespeare would not
want thus.
Let drawing students copy the acanthus,
I work with Master on
the architrave!
** - "We shall
accompany Gradus in constant thought, as he makes his way from distant dim
Zembla to green Appalachia, through the entire length of the poem, following the
road of its rhythm, riding past in a rhyme, skidding around the corner of a
run-on, breathing with the caesura, swinging down to the foot of the page from
line to line as from branch to branch, hiding between two words (see note to
line 596), reappearing on the horizon of a new canto, steadily marching nearer
in iambic motion, crossing streets, moving up with his valise on the escalator
of the pentameter, stepping off, boarding a new train of thought, entering the
hall of a hotel, putting out the bedlight, while Shade blots out a word, and
falling asleep as the poet lays down his pen for the
night."
*** "So why join in the vulgar laughter? Why/Scorn a hereafter
none can verify:/The Turk’s delight, the future lyres, the talks/ With Socrates
and Proust in cypress walks..."
"One of the
five cabins of which this motor court consists is occupied by the owner... He
said wait a minute — and took from a bedside..." the Letters of Franklin Lane.
"[ ] Here is a passage that curiously echoes Shade’s tone at
the end of Canto Three...."And if I had passed into that other land, whom would
I have sought? ...Aristotle! — Ah, there would be a man to talk with! What
satisfaction to see him take, like reins from between his fingers, the long
ribbon of man’s life and trace it through the mystifying maze of all the
wonderful adventure.... The crooked made straight. The Daedalian plan simplified
by a look from above — smeared out as it were by the splotch of some master
thumb that made the whole involuted, boggling thing one beautiful straight
line."
# - In the prefatory notes to a 1995 bilingual
edition of Valèry's Eupalinos, Joaquim Guedes writes about a
socratic "Inhabited Geometry" to develop the
thesis that "Physis is the logos." For him, Valèry's rigorous and
complex writings offer precise enigmas and illuminated labyrinths... that
stimulate the reader to hunt for multiple develpments and meanings, beginning
with the socratic answer in the opening lines of Eupalinos, related
to the importance of details. Socrates cryptically says: "I understand and
I cannot understand."
J. Guedes describes parts of the exchanges between Phedro and
Socrates in Hades, where they discuss their present limitations as disembodied
shadows and Socrates presents his architectural discursive method. Guedes
believes (following R.Meyer) that the sentence
often attributed to Mies Van der Rohe ( "God is in the detail"),
might have been inspired by Eupalinos. Cp. V.Nabokov (Lectures on Literature): "Caress the details, the divine
details."