Jansy Mello: Carolyn brings up remnants from the "Dear Bunny-dear Volodya" friendship, disturbed at times by Wilson's misunderstanding Nabokov's Pushkin translation and by Wilson's application of Freudian theories to the understanding of Art. She is wise to call attention to the difference between early childhood traumas and those that happen later in life.
I remember having read, in the
long past, Viennese psychoanalyst Kurt Eissler's book on Leonardo da Vinci, in
which he develops the idea that an artist's sensitivity to the external worl is
so great that he must suffer constant traumas, on a daily basis. Kind of a
politraumatized art or some sort of psychossomatic response, like it happens in
the tale by Hans Christian Andersen, "The Princess and the Pea" (I'd consider
this aristocratic vulnerability.a kind of allergic reaction).
I wonder if any present day "psy" conjectures shall relieve
V.V.Nabokov of his insomnia ... Do we really need to know "The Truth" to be able
to truly, or truthfully, appreciate a work of art?
(more
about this in the next
posting)