J.Martinez sends a Sighting: "Some of Nabokov's
Favorite Movies -Collated from the Strong Opinions interviews and the Boyd
biographies, and available here:
JM: Harvey Loyd's movie-still, while he
is hanging from a clock, may inspire one to consider that "we are
prisoners of time... hanging from it by a thread... how times flees etc etc",
which is also a Nabokovian theme, if we consider the beginning of the movie
when, by force of optical effects, Harvey seems to be standing behind prison
bars. Nevertheless, what's been keeping me busy here is the task of
locating the particular image described by Alfred Appel in his
footnote to the 1970 interview with Nabokov related to "The
Defense".* The one I'm posting now lacks the "American glasses" and
the ledge.
I enjoyed the sighting posted by Juan Martinez and the reference in
question [*
Appel’s note: “In The Defense, Luzhin’s means of suicide is
suggested to him by a movie still, lying on a table, showing ‘a white faced man
with his lifeless features and big American glasses, hanging by his hands from
the ledge of a skyscraper—just about to fall into the abyss’—the most famous
scene in Harold Lloyd’s Safety Last.”] and,
more particularly, this link: "And, lastly,
a link to a splendid full-length TV interview with
Nabokov."
I loved to see and hear Nabokov speak the damning words
against Freud (and his umbrella). An accidental mishandling caused me even
greater delight, though: I found that I could open all five
little movies with Nabokov speaking, at the same time, to have them on
sounding together and imaging away...It made a kind of sense to me in connection
to what Nabokov was expounding in the first one, related to a poet's thought
processes.
I've yet to locate the movie still, it must have been mentioned long before
Luzhin jumped out from the window...
The Defense (last paragraph, excerpts):
"'The only way out,' he said. 'I have to drop out of the
game'. [...] He raised his eyes.The upper window. But how to reach it?
[...]Finally he found himself on the chest [...]Raising a hand he jerked at the
frame and it swung open. Black sky.[...] Before letting go he looked down...the
whole chasm was seen to divide into dark and pale squares...at the instant when
icy air gushed into his mouth, he saw exactly what kind of eternity was
obligingly and inexorably spread out before him...there was no Aleksandr
Ivanovich." This last chapter has its moments of silent-movie
gesticulation and commedy, and Luzhin poking his head out of various windows in
great hurry suggests some of the events in Harvey's movie.
More easy to locate is Nabokov's mention to defenestration, in
LATH, chapt. 11: "The major poet, Boris
Morozov, an amiable grizzly bear of a man, was
asked how his
reading in Berlin had gone...and then told a funny but not memorable
story...The lady next to me informed me she had adored
that treacherous conversation between the Pawn and the
Queen about the husband and would they really defenestrate the
poor chess player? I said they would but not in the next
issue, and not for good: he would live forever in the games he
had played and in the multiple exclamation marks of future annotators."
(and here we find again a link to Luzhin's fenestrial "eternity")
........................................................................................................................................................................
* (Wikipedia) :Curt von Bardeleben (Berlin, 4 March 1861 – Berlin, 31
January 1924) was a Count and a German chess master who committed suicide by
jumping out of a window in 1924. His life and death were the basis for
that of the main character in the novel The Defense by Vladimir
Nabokov, which was made into the movie The Luzhin Defence. He edited
the magazine Deutsche Schachzeitung from 1887 through 1891. He tied for first
place with Riemann at Leipzig 1888, tied for first place with Walbrodt at Kiel
1893, was first at Berlin (SV Centrum) 1897, and tied for first place with
Schlechter and Swiderski at Coburg 1904.
He is perhaps best known for the
game he lost to the former world champion Wilhelm Steinitz at Hastings 1895,
especially because he just left the tournament room instead of resigning: 1. e4
e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4 exd4 6. cxd4 Bb4+ 7. Nc3 d5 8. exd5
Nxd5 9. O-O Be6 10. Bg5 Be7 11. Bxd5 Bxd5 12. Nxd5 Qxd5 13. Bxe7 Nxe7 14. Re1 f6
15. Qe2 Qd7 16. Rac1 c6 17. d5 cxd5 18. Nd4 Kf7 19. Ne6 Rhc8 20. Qg4 g6 21. Ng5+
Ke8 22. Rxe7+ Kf8 23. Rf7+ Kg8 24. Rg7+ 1-0
Related to his tragic death, an amusing kinbotean link (like Appel's play
at the end of his own -"I trust you have enjoyed this note, to paraphrase a
comment made by Kinbote under very different circumstances" Vintage
SO,165) states: "I stand by my original definitions of defenestricide and
autodefenestricide, because they invoke the idea of defenestrate, and they're
fun to say. (Much more fun to say than suidefenestratothanatopathy, which is
just a tongue twister by another name.).