I don't at all consider myself an idolatrous person, but I'm not sure "dud" is exactly the right word for the Ongegin translation--nor "crazed" or "grotesque" as Nemser has it. Surely, on its own, Nabokov's version of the poem would make for pretty poor reading, but as a work intended for a practical pegagogical purpose, it has many uses--the translation and notes work together as a team, can't be pried apart; I felt at least while I was reading it, an American with no Russian, that I had some sense of how the poem was supposed to work, technically and theoretically that is, in its natural enviroment--I assumed that's why N bothered keeping the poem in verse instead of simply doing a prose translation, which would have been a million times less awkward. Frankly all the Englished versions I've read of this poem
(3) seem bland and well nigh unreadable. Now Nabokov's concept of translation, on the other hand, is an issue for debate, one that questions the ultimate value of any kind of translation whatsoever, though I suppose that this is just mere rhetoric since nobody's going to give up on it. Also, in terms of Nemser, he compared and contrasted a couple e.g.'s of other author's translated verses against N.'s, preferring the other author's attempts. Neither were exactly great shakes to this English reader's ear, but Nabokov's at least had the virtue of being sharper, more economical, and more rhythmic. Well not the ones from Onegin. To Nemser's credit, he brought up The Real Life of Sebastian Knight and maybe a few readers will rush out and read it. Not to mention that he actually demonstrated a little style and wit without falling into that typical kind of debilitating
cuteness that mars so much reviewing. Though I think I would never use the word "tragic" to describe a book like Pale Fire. --- On Wed, 2/25/09, Nabokv-L <nabokv-l@UTK.EDU> wrote: From: Nabokv-L <nabokv-l@UTK.EDU> |
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