The disparate ingredients Victor Pelevin throws into his latest postmodernist stew -- erotic sci-fi, the meaning of life, bitter social satire -- never quite blend into a palatable dish.
And yet, The Sacred Book of the Werewolf, set in present-day Moscow and featuring an ancient werefox working as an underage prostitute, has its moments, some of which are unforgettable.
Pelevin's heroine, the 2,000-year-old A Hu-Li, has lived in Moscow so long she considers herself Russian. Her Chinese name means "the fox named A," although, she is embarrassed to explain, it translates into Russian as a vulgarity.
Like all of her supernatural race, she subsists off the sexual energy of humans, but unlike some, she never goes all the way, which would kill her victims.