Though every reader will grouse about overlooked favorites -- where is Laurie Colwin's "My Mistress" or John Cheever's "The Country Husband" or Irwin Shaw's "The Girls in their Summer Dresses" or Colette's "Gigi"? -- Eugenides has chosen splendid work. He includes what I and many others feel to be the greatest of all modern love stories, open to multiple interpretations, Chekhov's "The Lady with the Little Dog." Is it a tale of adultery or of true love? Of self-delusion or of self-transformation?
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