Another story he tells begins with the idea of reprinting each of Vladimir Nabokov’s novels for the 50th anniversary of Lolita. Three years after the original proposal — and after Gall had designed the entire set, each disguised as a specimen box (alluding to Nabokov’s collections of butterflies), the entire idea was thrown out; the publisher would only be reprinting Lolita.
Following this setback, he then “retrenched” and came up with a Lolita cover that he calls one of his favorite designs of all time: all the text classically boxed in the lower third of the cover, and the rest taken up by perfect, porcelain lips, rotated 90° counterclockwise. But he says, “After a day or so everyone started to get a little queasy looking at it, myself included.”
So they took out the twist, and put the face on straight — a cover that was later described by the New York Post as Lolita’s “raciest cover yet.”