I would say that if anything is consistent about VN it is his adamantine rejection of all ­isms .... I would regard this as the only acceptable position of a true artist, but I have to say that it is also elitist, proud and self-sufficient. I find these things admirable.  I would also suggest that literary theory means very little to genuine practitioners; and the same goes for truly great practitioners in any field. Theory is for observers and teachers, not for doers.

Charles

From Carolyn to Charles,

Something here disturbs me - - most likely the cult worship of the true artist,  that whiff of Ayn Rand, if you'll allow me. You seem to be describing her more than the VN I know. His was an aristocracy that didn't condescend to democracy, but embraced it wholeheartedly. Who after all was the "true artist" - - Lolita? or Humbert?  I often think VN doesn't think very highly of artists as a class of humanity.

Since I mentioned Roman Jakobson in my last post, let me stand up for Formalism, which I doubt VN rejected - - or am I mistaken?

By the way, not to forget that VN was as much observer, scholar, scientist and teacher as anything else.  

Carolyn

Search the Nabokv-L archive at UCSB

Contact the Editors

All private editorial communications, without exception, are read by both co-editors.

Visit Zembla

View Nabokv-L Policies