'Oh, "philosophy." You know. When you try to imagine a
mirok [small pink potato] without the least reference to any you have
eaten or will eat.' He gestured vaguely with his glasses and then slipped them
into their lecture-hall nook (vest pocket).
'What is your business? Why are you loafing near the bridge?'
Here we have potato linked to philosophy ( pink rose quartz
letter V, or God?) and, also, to-and-fro motion along a
bridge ( change of directions, such as in LATH reversing
them from HP to PH, and in PF, in relation to IPH and
PHI)
In
Bend Sinister,Krug plans to escape the country with his son David, hidden inside
potato sacks. These re-appear in Pale Fire, in Kinbote's
recounting of the Barn Scene Triangle, reproduced below:
- Are you comfortable there?
mother
Uh-huh. These
potato sacks make a perfect —
Sh-sh-sh!
Fifteen minutes pass in
silence. The eye begins to make out here and there in the darkness bluish slits
of night and one star.
That was
Dad’s tummy, I think — not a
spook.
And the initial link Potato, Perhaps ( IPH- If- Peut-être), God in Kinbote's commentary:
Line 502: The grand potato
Potatoes are often mentioned as ingredients ( accompanying a Sander fish, or a Sudak ) and appear in VNs various descriptions of transparent innards in his various novels ( BS, PF,TT). NB: The vegetable soup has already been sent with illustrations discovered by DBJ.
(1) Transparent Things:
1.She rang him up around midnight, waking him in the pit of an evanescent, but definitely bad, dream (after all that melted cheese and young potatoes with a bottle of green wine at the hotel's carnotzet). As he scrabbled up the receiver, he groped with the other hand for his reading glasses, without which, by some vagary of concomitant senses, he could not attend to the telephone properly. "You Person?" asked her voice...He already knew, ever since she had recited the contents of the card he had given her on the train, that she pronounced his first name as "You."
2. In fact, we depend on italics to an even greater degree than do, in their arch quaintness, writers of children's books. Human life can be compared to a person dancing in a variety of forms around his own self: thus the vegetables of our first picture book encircled a boy in his dream - green cucumber, blue eggplant, red beet, Potato pere. Potato fils, a girly asparagus, and, oh, many more, their spinning ronde going faster and faster and gradually forming a transparent ring of banded colors around a dead person or planet.
3. A mess of sprouts and mashed
potatoes, colorfully mixed with pinkish meat, could be
discerned, if properly focused, performing
hand-over-fist evolutions in Person's entrails, and one could also make
out in that landscape of serpents and caves two or three apple seeds, humble
travelers from an earlier meal.
His heart was tear-shaped, and undersized for such
a big chap.
(2) Bend
Sinister:
1. 'First the travel story,' said
David....For several nights already Krug had been evolving a
serial which dealt with the adventures awaiting David on his way to a distant
country (we had stopped at the point where we crouched at the bottom of a
sleigh, holding our breaths, very very quiet under sheepskin blankets
and empty potato sacks)...'No, not tonight,' said Krug. 'It is much too late and I
am busy.'
Carolyn observed that, unlike me she "can't think why it would be useful to explore something without the intention of coming to any conclusion.... It seems to me that VN likes to leave these little repeated word droppings that don't in themselves add up to anything..." I have the impression that VN references to potatoes and gastro-intestinal troubles (with all the veggies such as asparagus and beets, plus a reference to Proust...) may have been, at first, a description of some kind of discomfort he had experienced as a child and which he explored further ( physical discomfort, psychotic corporeal transparencies or celophane packets.), probably in relation to spirals, death and decay.