Steven: It's a very invigorating atmosphere
that the N-list generates...thanks for tolerating my sometimes inconsequential
remarks...
In another posting, he added: the archives
sound like a place one could get lost in!
Jansy: I always get lost in
the VN-Archives and often in Zembla. Most of the time I return to issues that
have been discussed to exaustion and add "inconsequential remarks".In my opinion
this is the nicest thing about our List, there is space to write spontaneously
and be corrected or informed of other forgotten sources we seem to be drinking
from. My commentary on consulting the
Archives only expressed an ideal situation...
I try to keep in mind that those who are annoyed
with my "word-maps" can always delete messages originated from JM -
and with no great loss, I fear.
Jerry Friedman
noted that "it's hard to explain lines 939-940: " Man's life as
commentary to abstruse/ Unfinished poem. Note for further use."
Certainly after the completion of the book they apply in a way Shade couldn't
have imagined, but why did he write them? ..."
Jansy: If we change
our perspective and isolate the poem from the commentary, we might be able
to read into Shade's "note for further use" something very different from what
resulted after Kinbote's intervention: CK could have inserted them
from one of Shade's twelve unburnt cards: might Canto Four's original
verses be sequenced in another way?
The underlined 939-940 verses fit in
differently as those "anonymous" words on lines 235-236: "Life
is a message scribbled in the dark". Both discuss "what is
life" and "disjointed notes set in mean verse".
When I think of real pain and regret (
very distant from a "writer's grief" ) these lines, espied on a bark on the
day Hazel died, gain a special poignancy, quite unlike the 939-940 facile
philosophy. Still, both lines suggest that there is a "superior being"
(?) that reads these messages, writes abstruse poems and who
is the addressee of these two sets of lines.
(Similarly, after reading Peter
Dale's comments on Ovid, where he informed us that
when Ovid" advises short women to ride on horseback, he is not
counseling diminutive ladies to take equestrian exercise. He is providing a colourful device for delicately suggesting the best
position for them in bed."... Although I initially enjoyed this clever
remark, I later realized it must also have been extracted from another
context. Would women at Ovid's time learn sexual
calisthenics and be able to read Ovid and profit from his instructive
advice? If the answer is negative, who would he have addressed
then?)
Jansy