In his essay "on Inspiration" VN says that ADA's first breath was the following
passage:
"Sea crashing, retreating with shuffle of pebbles,
Juan and beloved young whore--is her name, as they say, Adora? Is she Italian,
Roumanian, Irish?--asleep in his lap, his opera cloak puled over her, candle
messily burning in its tin cup, next to it a paper-wrapped bunch of long roses,
his silk hat on the stone floor near a patch of moonlight, all this in a corner
of a decrepit, once palatial whorehouse, Villa Venus, on a rocky Mediterranean
coast, a door standing ajar gives on what seems to be a moonlit gallery but is
really a half-demolished reception room with a broken outer wall, through a
great rip in it the naked sea is heard as a panting space separated from time,
it dully booms, dully withdraws dragging is its patter of wet
pebbles."
This passage, much expanded, gives rise to
chapter 4, Part II.
------------------------------------------------------
My question. Sound effects notwithstanding, this
passage strikes me as "painterly." Can anyone suggest a painting or
paintings that might underlie it?